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Love in Real Time

Love in Real Time

BY GARY M. KRAMER | “Paris 5:59: Théo & Hugo” by gay filmmakers Olivier Ducastel and Jacques Martineau is a remarkable romance. The film opens with an astonishing, explicit, and nearly wordless 18-minute sequence set in an after-hours Parisian sex club. Théo (Geoffrey Couët), who is smitten with Hugo (François Nambot), coordinates an erotic encounter […]

From Gay Men to God

From Gay Men to God

BY GARY M. KRAMER | The title character of writer and director Justin Kelly’s “I Am Michael” is Michael Glatze (James Franco), a gay activist and former managing editor of X/Y magazine, who in 2007, renounced his homosexuality, became an anti-gay poster child, and then went on to become a Christian pastor. How could someone […]

When the Wolves Grab Center Stage

When the Wolves Grab Center Stage

BY STEVE ERICKSON | Observers as different as Edmund White and Gaspar Noé have noted that France seems to have little use for America’s style of identity politics. The characters of gay director Alain Guiraudie’s “The King of Escape” and his new film “Staying Vertical” are too busy enjoying a pansexual utopia where almost every […]

When Prison May Be an Escape

When Prison May Be an Escape

BY STEVE ERICKSON | The Iranian government likes to put up a façade of moral rectitude. As one might guess, this façade is paper-thin to actual Iranians, like the teenage girl prisoners profiled in Mehrdad Oskouei’s documentary “Starless Dreams.” I’ve never seen such a harsh and pitiless view of the Islamic Republic. In an interview […]

No Mrs. Lloyd Richards Here

No Mrs. Lloyd Richards Here

BY DAVID NOH | Although Celeste Holm, in “All About Eve,” famously described herself as “the playwright’s wife, the lowest form of celebrity,” the same cannot be said of J. Smith-Cameron. She may be the wife of currently white-hot playwright/ film director Kenneth Lonergan, now gathering raves and award nods for “Manchester By the Sea,” but […]

Discovering Sanctity

Discovering Sanctity

BY STEVE ERICKSON | Expatriates can act strange, particularly if they didn’t leave their home country out of necessity but because they were disgusted by its culture. Eugène Green, an American director who lives and works in France, is a case in point. He now refers to the US as “la barbarie,” and don’t get him […]

Feeling Low? Watch This!

Feeling Low? Watch This!

BY DAVID NOH | It’s a new year, we have a new (shudder) president, and people are more depressed than ever, some even feeling suicidal. What was once literally regarded as the lunatic fringe of society has become the new normal, with everyone from six-year-olds to seniors feeling confused, or blue and dosing themselves away […]

Debbie Reynolds Kicked Ass

Debbie Reynolds Kicked Ass

BY DAVID NOH | And now, both Carrie Fisher, 60, and her equally movie-starry mother, Debbie Reynolds, 84, have truly gone into legend, the latter heartbreakingly following her daughter’s untimely death one day later. The facile term “icon” has been tossed around a lot lately regarding them, but it is certainly apropos. The trademark movie characters […]

Representing Is Important; Content Matters, Too

Representing Is Important; Content Matters, Too

BY STEVE ERICKSON | “Moonlight” director Barry Jenkins has said that if people don’t have images of themselves, they’ll start to feel like they don’t exist. Jenkins’ film has given an unprecedented amount of visibility to gay African-American men –– at least in cinema. (TV shows like “The Wire” and “Empire” have beaten him to the […]

A Good Year in Queer

A Good Year in Queer

BY GARY M. KRAMER | The year in queer film 2016 had both notable achievements — Barry Jenkins’ “Moonlight,” about three stages in the life of an African-American man, chief among them — and some dubious ones. “Sea of Trees” by out filmmaker Gus Van Sant was critically panned and barely got a theatrical release. When […]