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No Exit

No Exit

BY ELI JACOBSON | One of the more adventurous offerings of the Metropolitan Opera’s 2017 – 2018 opera season is the US premiere of Thomas Adès’ “The Exterminating Angel.” The Adès opera, based on Luis Buñuel’s enigmatic 1962 surrealist film “El Ángel Exterminador,” arrived in New York after premiering last summer at the Salzburg Festival with […]

18th Century Joys to Cure Today’s Blues

18th Century Joys to Cure Today’s Blues

BY ELI JACOBSON | The mood of the country over the last year has been one of disaffection, discord, disunity, and disgust. The music of Mozart, Beethoven, and Handel is a balm to the ears and the soul, assuring us that there are immutable beauties of the mind and soul that historical aberrations cannot deface or […]

A Met Trio

A Met Trio

BY DAVID SHENGOLD | On March 16, the Met revived “Fidelio” in Juergen Flimm’s visually unappetizing, dramatically fussy, and often just wrong-headed production, full of upstaging and misdirected focus (like the final scene’s ludicrous Marzelline meltdown and crowd lynching of Pizarro). I nevertheless enjoyed myself. Sebastian Weigle led unevenly, but enough of the resplendent score hit home […]