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Mostly Met

Mostly Met

BY DAVID SHENGOLD | Busy with several choral groups, Kent Tritle conducted the Oratorio Society’s invigorating Carnegie “Messiah” on December 18. The orchestra proved adequate if not exceptional, though trumpeter Scott McIntosh scored alongside Dashon Burton’s lively, well-projected bass-baritone in their marvelous joint aria. This venerable amateur chorus makes an impressive sound, not always flawless […]

Rossini’s Revolution Won’t Be Televised

Rossini’s Revolution Won’t Be Televised

BY ELI JACOBSON | At its premiere at the Paris Opéra in 1829, Gioachino Rossini’s “Guillaume Tell” (“William Tell”) created a revolution that influenced Verdi, Donizetti, Berlioz, Meyerbeer, and Wagner, changing the course of opera in the 19th century. It was the final opera of Rossini’s career — he retired at age 37. “Tell” has […]

“Oscar” Winning, But Not for Best Score

“Oscar” Winning, But Not for Best Score

BY ELI JACOBSON | It is never a happy task to criticize a work which is created out of love for the best artistic and social reasons by gifted people –– but good intentions do not automatically make great art. (As well, great artists are not always great or even good human beings outside of their […]