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Mostly Met

Mostly Met

BY DAVID SHENGOLD | Busy with several choral groups, Kent Tritle conducted the Oratorio Society’s invigorating Carnegie “Messiah” on December 18. The orchestra proved adequate if not exceptional, though trumpeter Scott McIntosh scored alongside Dashon Burton’s lively, well-projected bass-baritone in their marvelous joint aria. This venerable amateur chorus makes an impressive sound, not always flawless […]

Rossini’s Revolution Won’t Be Televised

Rossini’s Revolution Won’t Be Televised

BY ELI JACOBSON | At its premiere at the Paris Opéra in 1829, Gioachino Rossini’s “Guillaume Tell” (“William Tell”) created a revolution that influenced Verdi, Donizetti, Berlioz, Meyerbeer, and Wagner, changing the course of opera in the 19th century. It was the final opera of Rossini’s career — he retired at age 37. “Tell” has […]

Warm Voices for Cold Spring Nights   

Warm Voices for Cold Spring Nights   

BY ELI JACOBSON | It seems that every year the Metropolitan Opera schedules a short revival of a difficult 20th century opera and it turns out to be one of the season highlights.  This season was bookended by two such revivals — a superb “Lady Macbeth of Mtsensk” in November and the sensational return of Stravinsky’s […]