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No Exit

No Exit

BY ELI JACOBSON | One of the more adventurous offerings of the Metropolitan Opera’s 2017 – 2018 opera season is the US premiere of Thomas Adès’ “The Exterminating Angel.” The Adès opera, based on Luis Buñuel’s enigmatic 1962 surrealist film “El Ángel Exterminador,” arrived in New York after premiering last summer at the Salzburg Festival with […]

Opera’s Birthday Boys

Opera’s Birthday Boys

BY DAVID SHENGOLD | Washington National Opera’s season started impressively with an uncomplicated but visually pleasing “Tristan und Isolde” staging imported from Sydney. Brian Thomson’s clever unit set presented a liminal, bridge-like space evocatively lit by Rory Dempster, and Neil Armfield’s direction didn’t intrude or force other agendas on the text. The end, however, ineffectively found […]