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Gounod, Rameau, and Strauss

Gounod, Rameau, and Strauss

BY DAVID SHENGOLD | Bartlett Sher’s supernumerary-loaded, sleepy staging of  “Roméo et Juliette” sank fairly perilously April 23 under the indiscriminate, pace-deadening conducting of Plácido Domingo. There are reasons audiences want to hear Domingo’s compromised but still firm, energetic singing, but his conducting has always at best mediocre — an abuse of his  industry influence […]

The French Connection

The French Connection

BY ELI JACOBSON | French opera has become something of a stepchild in the international operatic repertoire — it doesn’t always get the love and attention it needs even in Paris. Its specialists are few and far between, and the French style has become internationalized, losing character, delicacy, and perfume. The Metropolitan Opera, historically a major […]