A Not-So-Fine Romance


A Not-So-Fine Romance

“Midnight at The Never Get” is a tale about resilience, both onstage and off. The plucky musical, about a forbidden romance between two male musicians on the cusp of the Stonewall uprising, was born at Don’t Tell Mama, then reshaped for a sold-out run at the 2016 New York Musical Festival, and the following year caused a sensation during its six-week run in Provincetown. Comment
Over the course of four solo albums — following a long run with the Denver band the Czars and a break from music — gay singer/ songwriter John Grant has gone from folk/ rock to synth-pop. This evolution says something about the fashions of our times: look at Mitski and St. Vincent embracing electronics and largely dropping electric guitar on their latest albums. Comment

Not Quite Ready for Their Close Up

The Metropolitan Opera opened the 2018-2019 season on September 24 with a high-powered new production of Camille Saint-Saëns’ “Samson et Dalila.” The promise of the Met debut of Tony award-winning Broadway director Darko Tresnjak (“A Gentleman’s Guide to Murder”) and the reteaming of Roberto Alagna and Elina Garanca (who sizzled in the 2009 premiere of “Carmen”) failed to deliver on opening night. Garanca’s Dalila struck critical observers as chilly and small of voice. Alagna, suffering from a cold, lost his voice completely in Act III. Sir Mark Elder’s lead-footed conducting threw a wet blanket over the proceedings. Tresnjak’s production was denounced as vulgar and trivial. Comment


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