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Arts

Emerging from the Shadows

Arts

Emerging from the Shadows

More than 35 years ago, cult diva and New York treasure Aprile Millo established herself as a throwback Italian-style prima donna of the old school. She evoked not only the vocal style but the presentational theatrics of historical sopranos. Vocal and performance anxiety issues have curtailed Millo’s career to the extent that every appearance is a comeback – no, a return! Comment
Arts

Sunny Next Step from Bob Mould

Arts

Sunny Next Step from Bob Mould

On a first listen, Bob Mould’s latest album, “Sunshine Rock,” falls in line with most of the music he’s been making for decades. It’s full of songs that charge ahead at […] Comment
One of the most anticipated events of the 2018-2019 Metropolitan Opera season was the debut of podium superstar Gustavo Dudamel leading a revival of Verdi’s “Otello.” His conducting […] Comment
Arts

Pop on Her Own Terms

Arts

Pop on Her Own Terms

Remember when songs with production as eccentric or minimal as Aaliyah’s “Are You That Somebody?,” Missy Elliott’s “Work It,” and Clipse’s “Grindin’” could be major hits? Eva Moolchan, a queer woman who works as a one-woman band under the name Sneaks, certainly does. Comment
Arts

Love and Death Italian Style

Arts

Love and Death Italian Style

Francesco Cilea’s “Adriana Lecouvreur” (1902) has always been an opera that critics love to hate while singers, especially veteran divas, covet the musical and dramatic opportunities offered by the juicy leading roles. Like Puccini’s “Tosca”, Cilea’s opera allows a diva to play a diva. Comment
A cast of creatives will stage a multimedia opera about a Tibetan Buddhist saint who began life as a mass murderer before finding redemption in religion. “Mila, Great Sorcerer” — presented at John Jay College on January 12 and 13 as part of the Prototype Festival — combines the centuries-old story of Milarepa with 14th and 15th century animated Tibetan and Himalayan images, culled from the Rubin Museum of Art, to tell a classic story in a new way, according to the director. Comment
Arts

Purely Puccini

I saw the Met’s lavish 1982 Franco Zeffirelli production of “La Bohème” for the 18th time on December 3. If not an epochal event, it was a very good repertory performance. Comment

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