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A Drag Ball on Screen

A Drag Ball on Screen

BY GARY M. KRAMER | A celebration of cross-dressing in cinema unspools at Anthology Film Archives March 23-31. The films, an international mix of features and documentaries, show how men in women’s clothing and women in men’s clothing are often played for laughs. John Epperson (aka Lypsinka), who guest curated the program, will be on hand […]

Queer Debuts Shine at New Directors/ New Films

Queer Debuts Shine at New Directors/ New Films

BY GARY M. KRAMER | Two queer debut features at this year’s New Directors/ New Films festival showcase exciting new talents in world cinema. From South Africa comes gay director/ co-writer John Trengove’s remarkable feature debut, “The Wound” (Mar. 25, 1:30 p.m., MoMA Titus 2; Mar. 26, 9:30 p.m., Walter Reade Theater, Lincoln Center). The film […]

Paula Vogel on Broadway with “Indecent”

Paula Vogel on Broadway with “Indecent”

BY DAVID NOH | A beaming Paula Vogel greeted me with the biggest smile imaginable when I met to talk to her about her latest show, “Indecent,” which deals with Sholem Asch’s controversial 1906 play “God of Vengeance,” and also happens to be her Broadway debut, after 50 years in the theater. Despite her Pulitzer Prize, […]

Foreign Secrets

Foreign Secrets

BY GARY M. KRAMER | François Ozon’s latest film, the beguiling romantic drama “Frantz” — a period piece set largely in 1919 Germany and shot almost entirely in black and white — in some respects seems like an almost complete change of pace for the gay French filmmaker. Still, this compelling drama explores many of […]

Beautiful Edo Boys

Beautiful Edo Boys

BY DAVID NOH | To enter Japan Society’s exquisite new exhibit, “A Third Gender: Beautiful Youths in Japanese Prints,” is to be swept back in time to the Edo Period (1603-1868) and the “floating world” (ukiyo), a universe of pure pleasure and escape from humdrum ordinary life, reflected in outlets like Kabuki theaters and red light […]

The Three Faces of Pretty

The Three Faces of Pretty

BY ELI JACOBSON | Peter Gelb has been on the hunt for new operatic stars throughout the decade he has been at the helm of the Metropolitan Opera. Several of his discoveries have not lived up their anticipated potential, and the current galaxy of stars will age and gradually drop from the operatic firmament. (Renée Fleming […]

Holidays for Death

Holidays for Death

BY CHRISTOPHER BYRNE | Parental advisory: Keep young children away from the new production of “Sweeney Todd” now at the Barrow Street Theatre. It is guaranteed to give them nightmares for weeks. Happily, what might make children check under the bed for the monstrous, murderous barber is exactly why adults should search out tickets, wherever they […]

Searching for a Reliable Signal

Searching for a Reliable Signal

BY STEVE ERICKSON | French director Olivier Assayas has made a few films that could be loosely described as thrillers: “demonlover” and “Boarding Gate.” However, their thrills are always in quotes, filtered through David Cronenberg’s “Videodrome” (in the case of “demonlover”), Hong Kong director Johnnie To’s action movies (in “Boarding Gate”), and, throughout, radical French philosopher […]

What’s Next for a Lapsed Vegan?

What’s Next for a Lapsed Vegan?

BY GARY KRAMER | “Raw” is a vivid, visceral coming-of-age film. Writer and director Julia Ducournau has created an hypnotic — though for many what could be a very unpleasant — drama about Justine (Garance Marillier), a first-year student struggling through rush week at a veterinary medical school in France. Justine is a vegetarian. Early in […]

Reckless Abandonment

Reckless Abandonment

BY DAVID KENNERLEY | Joshua Harmon’s “Significant Other” was warmly received when it premiered Off-Broadway at the Roundabout’s intimate Laura Pels Theatre nearly two years ago, and for good reason. The heartfelt portrait of Jordan Berman, a socially inept, 29-year-old gay man yearning for love while his gal pals marry off one by one, was […]

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