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Pregnant Pause

Pregnant Pause

BY DAVID KENNERLEY | You might think that a play about a world where women are extinct would smack of misogyny. But Robert O’Hara’s wild, politically charged satire “Mankind” turns out to be highly sympathetic toward the female gender. The men, it soon becomes clear, are desperately lost without them. Both written and directed by O’Hara […]

When Food Tastes Like Love

When Food Tastes Like Love

BY DAVID KENNERLEY | A man lies dying in a hospital-style bed center stage for the better part of “Aubergine,” a heartfelt, multicultural play by Julia Cho at Playwrights Horizons. But Cho has crafted the deeply touching drama so brilliantly that it’s more a celebration of life than a lamentation of loss. And what better […]

Double Blind

Double Blind

BY DAVID KENNERLEY | “Am I getting the real thing or a placebo?” That’s the question at the center of “Placebo,” Melissa James Gibson’s bold new drama about desire and sticky relationships set against the backdrop of a clinical trial, now at Playwrights Horizons. The study drug, brand name Resurgo, is designed to stimulate the libido […]

Food Fight

Food Fight

BY DAVID KENNERLEY | A dour cloud of melancholy hangs over “Pocatello,” Samuel D. Hunter’s latest fractured-family drama, currently at Playwrights Horizons. Pocatello is the name of the bland Idaho town — it really exists, by the way — reeling from the closing of its vital paper mill some years back. Now it’s overrun with […]

Desperate Housewife

Desperate Housewife

BY DAVID KENNERLEY | In the 2002 movie “Far From Heaven,” writer-director Todd Haynes relied on the sumptuous, supercharged visual style of Douglas Sirk to heighten the emotional power of a marriage in crisis in a leafy suburb in Eisenhower-era Connecticut. In adapting the groundbreaking art-house film (which starred Julianne Moore and Dennis Quaid as […]